Die Ölgemälde alles Giotto

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42609

Bewening of Christ

MK169 detail of 9.80 Fresco 231x202cm

62953

Design sketch for the Campanile

1334 Parchment Museo dell'Opera del Duomo, Florence This plan shows the design for the bell tower of the Florentine cathedral. It most probably stems from Giotto, who was made "capomaestro" in the year the foundation stone was laid. Only the lowest storey was built according to this plan. Artist: GIOTTO di Bondone Painting Title: Design sketch for the Campanile , 1301-1350 Painting Style: Italian , , religious

1783

Detail of an Angel

1305-13 Arena Chapel, Padua

51729

Detail of Joachim-s Dream

nn09 c.1305-13

51727

Detail of the Flight into Egypt

mk009 c.1305-13

51730

Detail of The Lamentation

nn09 c.1305-13

51757

Detail of the Last Judgment

NN09 c.1305-13

51728

Detail of the Presentation at the Temple

nn09 c.1305-13 Fresco

29694

Madonna and Child Enthroned among Angels and Saints

mk67 Tempera on panel 127 15/16x80 15/16in

29695

Madonna and Child with SS.Nicholas.john the Evangelist,Peter and Benedict

mk67 Tempera on panel 35 13/16x133 7/8in

55910

Noil me tangere

mk247 1304-06,fresco,78.5x72.5 in,200x185 cm,capella degli scrovegni(arena chapel),padua,ltaly

55908

Presentation of the VIrgin ar the Temple

mk247 1304-06,fresco,78.75x72.75 in,200x185 cm,cappella degli scrovegni,padua,ltaly

32514

Recreation by our Gallery

mk79 1304-1306

1788

Saint Francis Giving his Mantle to a Poor Man

Upper Church of San Francesco, Assisi

1787

Scenes from the Life of Christ 1

Arena Chapel, Padua

1784

Scenes from the Life of Joachim 1

1305-13 Arena Chapel, Padua

1782

Scenes from the Life of Joachim 4

1305-13 Arena Chapel, Padua

1776

Scenes from the Life of the Virgin

1305-13 Arena Chapel, Padua

1777

Scenes from the Life of the Virgin

1305-13 Arena Chapel, Padua

1778

Scenes from the Life of the Virgin

Scenes from the Life of the Virgin The Flight into Egypt

1781

Scenes from the Life of the Virgin 11

1303-05 Arena Chapel, Padua

1780

Scenes from the Life of the Virgin 1

1303-05 Arena Chapel, Padua

1790

St.Francis Mourned by St.Clare

Upper Church of San Francesco, Assisi

55907

St.Francis Receiving the stigmata

mk247 1297-99,fresco,106.75x90.5 in,270x230cm,

1786

The Ascension

1305-13 Arena Chapel, Padua

51702

The Ascension

nn09 c.1305-13

55911

The Betrayal of Christ

mk247 1304-06,fresco,79x73 in,200x185 cm,cappella degli scrovegni,padua,ltaly

45498

The death of the knight of Celano

mk186 1297-1300 Assisi, San Francesco, waiter church

1789

The Devils Cast Out of Arezzo

Upper Church of San Francesco, Assisi

1791

The Doctors of the Church

Upper Church of San Francesco, Assisi

1775

The Lamentation

c1305

1785

The Last Judgment 1

1305-13 Arena Chapel, Padua

1774

The Madonna in Glory

1310 Galleria degli Uffizi, Florence

55909

The Meeting at the Golden Gate

mk247 1304-06,fresco,79x73 in,200x185cm,capella degli scrovegni(arena chapel),padua,ltaly

33252

The Raising of Drusiana,Cappella Peruzzi

mk83 c.1320

42608

The wedding to Guns De arouse-king of Lazarus, De bewening of Christ and Noli me tangera

MK169 details of the fresco decoration ca.1304-13 Scrovegni-chapel Padua

Giotto

Italian 1267-1337 Giotto Galleries Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence." The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years." Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.

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